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©2026 Mark Freres

installation

Untitled 001

Site 1 | 34°37'01.5"N 117°32'35.4"W

Site 2 | 34°37'01.7"N 117°32'35.8"W

h.1' x w.1' x d.1'

Intro

Set within an arid, terminal landscape, Untitled 001 presents itself as a portal. Constructed as a cube, its form dissolves into a multidimensional threshold that abstracts and extends the surrounding environment. At one end, the cube offers a shared plane of shadow; at the other, it projects light outward. In this exchange between shadow and illumination, interior and exterior collapse into one another. The cube no longer functions as a closed volume, but as an instrument that reconfigures perception—drawing the landscape inward, transforming it, and returning it as an expanded spatial experience.

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​

​

​

​

​

​

View all

Links

Home

Artworks

Field Studies

Sketches

Background

Contact

Connect

Instagram

Email

©2026 Mark Freres

installation

Untitled 001

Site 1 | 34°37'01.5"N 117°32'35.4"W

Site 2 | 34°37'01.7"N 117°32'35.8"W

h.1' x w.1' x d.1'

Intro

Set within an arid, terminal landscape, Untitled 001 presents itself as a portal. Constructed as a cube, its form dissolves into a multidimensional threshold that abstracts and extends the surrounding environment. At one end, the cube offers a shared plane of shadow; at the other, it projects light outward. In this exchange between shadow and illumination, interior and exterior collapse into one another. The cube no longer functions as a closed volume, but as an instrument that reconfigures perception—drawing the landscape inward, transforming it, and returning it as an expanded spatial experience.

​

​

​

​

​

​

​

View all

Links

Home

Artworks

Field Studies

Sketches

Background

Contact

Connect

Instagram

Email

©2026 Mark Freres

installation

Untitled 001

Site 1 | 34°37'01.5"N 117°32'35.4"W

Site 2 | 34°37'01.7"N 117°32'35.8"W

h.1' x w.1' x d.1'

Intro

Set within an arid, terminal landscape, Untitled 001 presents itself as a portal. Constructed as a cube, its form dissolves into a multidimensional threshold that abstracts and extends the surrounding environment. At one end, the cube offers a shared plane of shadow; at the other, it projects light outward. In this exchange between shadow and illumination, interior and exterior collapse into one another. The cube no longer functions as a closed volume, but as an instrument that reconfigures perception—drawing the landscape inward, transforming it, and returning it as an expanded spatial experience.

​

​

​

​

​

​

​